{"id":9534,"date":"2026-10-27T20:00:08","date_gmt":"2026-10-27T19:00:08","guid":{"rendered":"https:\/\/www.pipolcongres.eu\/2026\/10\/19\/totalite-fuyante-et-unite-masquee-2\/"},"modified":"2026-10-20T18:00:00","modified_gmt":"2026-10-20T16:00:00","slug":"totalite-fuyante-et-unite-masquee-2","status":"publish","type":"post","link":"https:\/\/www.pipolcongres.eu\/en\/2026\/10\/27\/totalite-fuyante-et-unite-masquee-2\/","title":{"rendered":"Elusive Totality and Masked Unity"},"content":{"rendered":"<p class=\"tm15\"><span class=\"tm13\">The scansion of the analytic session can sometimes give the analysand, especially in the early stages, the impression that he or she did not have time to say it all. The psychopathology of the couch is thus often punctuated by expressions of regret and frustration at having presented the analyst with an incomplete picture, which, in their mind, could hinder the analyst\u2019s proper understanding by giving them a truncated view of their affairs. The ideal of exhaustiveness at issue here pays no heed to the structural impossibility highlighted by Lacan in <\/span><em><span class=\"tm10\">T\u00e9l\u00e9vision<\/span><\/em><span class=\"tm13\"> when he objected to the notion of <\/span><em><span class=\"tm10\">all <\/span><\/em><span class=\"tm13\">of the truth as well as of saying. The introduction of the variable-length session, the interruption in the middle of a sentence, or even of a word whose equivocation then resonates, stand in opposition to the <\/span><em><span class=\"tm10\">all<\/span><\/em><span class=\"tm13\">, revealing it for what it is: at worst, vanity; at best, an illusion.<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">But exhaustiveness is not the only guise the ideal of saying it all takes on. Sometimes, the <\/span><em><span class=\"tm10\">all<\/span><\/em><span class=\"tm13\"> hinges on a very particular element, and \u201cI haven\u2019t said it all\u201d means that the analysand has, in fact, said <\/span><em><span class=\"tm10\">nothing<\/span><\/em><span class=\"tm13\">. That, for the moment, they have kept that fragment of truth to themselves. Between outpouring and withholding, the logic of saying it all unfolds in its nuances and also marks a mode of jouissance: sometimes <\/span><em><span class=\"tm10\">One Thousand and One Nights<\/span><\/em><span class=\"tm13\"> (in the vein of \u201cto be continued in the next episode\u201d), sometimes <\/span><em><span class=\"tm10\">Murder on the Orient Express <\/span><\/em><span class=\"tm13\">(in the vein of \u201cnot giving anything away\u201d).<\/span><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">Between elusive totality and masked unity, in contrast to that enchanted version of speech that presumes to be full yet expresses only void, Georges Perec\u2019s approach takes shape. Here, too, one can speak of elusive totality and masked unity, but in their disenchanted form, stripped of the enveloping warmth that grows from mystery to revelation. This dual dimension (totality\/unity) is expressed in his work through the attempt to exhaust meaning through description, notably in <\/span><em><span class=\"tm10\">L\u2019infra-ordinaire<\/span><\/em><span class=\"tm13\"> and <\/span><em><span class=\"tm10\">Attempt to Exhaust a Place in Paris<\/span><\/em><span class=\"tm13\"> on the one hand, and, on the other, in <\/span><em><span class=\"tm10\">A Void,<\/span><\/em><span class=\"tm13\"> a novel entirely conceived around the elision of the letter \u201ce\u201d\u2014an elision that has been the subject of much discussion.<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">It is, among other works, in <\/span><em><span class=\"tm10\">Attempt to Exhaust a Place in Paris<\/span><\/em><span class=\"tm13\"> that this particular quest for exhaustiveness finds expression, a quest that aims not to describe what is already known, cataloged, photographed, painted, and thus immortalized about a specific place (Place Saint-Sulpice), but rather the unnoticed ephemeral, the invisible aspects of everyday life: pigeons, buses, passersby\u2026 Coming several days in a row, standing in the same spot, and describing what is \u201cnot noticed,<\/span> <span class=\"tm13\">that which has no importance: what happens when nothing happens other than time, people, cars, and clouds.\u201d[1] This approach is explained in the short book titled <\/span><em><span class=\"tm10\">L\u2019infra-ordinaire<\/span><\/em><span class=\"tm13\">, in which Perec invites readers to pay attention to the \u201cbackground noise\u201d: \u201cTake inventory of your pockets and your bag. Ask yourself about the origin, use, and fate of each object you remove from them. Question your teaspoons. What\u2019s under your wallpaper? How many gestures does it take to dial a phone number? Why?\u201d Perec\u2019s proposal is based on an observation: newspapers, sensationalist news stories, and headlines teach him nothing. And he concludes: \u201cIt matters little to me that these questions are, here, fragmentary, barely indicative of a method, at most of a project. It matters a great deal to me that they seem trivial and futile: that is precisely what makes them just as\u2014if not more\u2014essential than so many others through which we have vainly attempted to grasp our truth.\u201d[2]<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">The vain capture of truth feeds on a fallacious hierarchy, one that believes it can determine what is important, crafting a showcase for it while, in the order of discourse, saving the best for last, or concealing it. The path of the futile, the trivial, and that which becomes residue, escaping both the eye and the word, is, for Perec, what can, on the contrary, become a vehicle for a truth. A truth that cannot be captured but resides in \u201cwhat seems to have ceased to astonish us forever\u201d[3] and which, if we pay attention to it, may reveal to us at least one thing: that, blind to our surroundings and indifferent to the supposedly insignificant, \u201cwe sleep through our lives in a sleep without dreams.\u201d[4] The inventory of the infra-ordinary, in its very monotony, consisting, for example, of the description of every house number on Rue Vilin, or of everything Perec ate and drank in 1974,[5] reveals to us the power of what structures the narrative: the blind spot.<\/span><\/p>\n<p class=\"tm17\"><em><span class=\"tm10\">\u00a0<\/span><\/em><\/p>\n<p class=\"tm15\">[1] Perec, G., <em><span class=\"tm18\">An Attempt at Exhausting a Place in Paris<\/span><\/em>, trans. M. Lowenthal (Cambridge MA: Wakefield Press, 2010).<\/p>\n<p class=\"tm15\">[2] Perec, G., <em><span class=\"tm18\">L\u2019infra-ordinaire<\/span><\/em> (Paris: Seuil, 1989), p. 13.<\/p>\n<p class=\"tm15\">[3] <em><span class=\"tm18\">Ibid.<\/span><\/em>, p. 12.<\/p>\n<p class=\"tm15\">[4] <em><span class=\"tm18\">Ibid.<\/span><\/em>, p. 11.<\/p>\n<p class=\"tm15\">[5] <em><span class=\"tm18\">Ibid.<\/span><\/em>, p. 15 for Vilin Street and, on p. 97, the list of liquids and solids ingested.<\/p>\n<p class=\"tm15\"><span class=\"tm19\">\u00a0<\/span><\/p>\n<p class=\"tm6\"><span class=\"tm7\">Vassily Kandinsky,<\/span><em><span class=\"tm8\"> Sans titre (Premi\u00e8re aquarelle abstraite)<\/span><\/em><span class=\"tm7\">, 1910<\/span><\/p>\n<p class=\"Normal\">\n","protected":false},"excerpt":{"rendered":"<p>The scansion of the analytic session can sometimes give the analysand, especially in the early stages, the impression that he or she did not have time to say it all. The psychopathology of the couch is thus often punctuated by expressions of regret and frustration at having presented the analyst with an incomplete picture, which, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":9526,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"0","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":""},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"jnews_post_split":{"enable_post_split":"0","post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal"}]},"footnotes":""},"categories":[578],"tags":[],"class_list":["post-9534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-touchstones"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Elusive Totality and Masked Unity - Pipol Congr\u00e8s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pipolcongres.eu\/en\/2026\/10\/27\/totalite-fuyante-et-unite-masquee-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elusive Totality and Masked Unity - Pipol Congr\u00e8s\" \/>\n<meta property=\"og:description\" content=\"The scansion of the analytic session can sometimes give the analysand, especially in the early stages, the impression that he or she did not have time to say it all. The psychopathology of the couch is thus often punctuated by expressions of regret and frustration at having presented the analyst with an incomplete picture, which, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pipolcongres.eu\/en\/2026\/10\/27\/totalite-fuyante-et-unite-masquee-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Pipol Congr\u00e8s\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/share\/12D7tEQ44kL\/?mibextid=LQQJ4d\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-27T19:00:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pipolcongres.eu\/wp-content\/uploads\/2026\/10\/deborah-guterman-blog.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"375\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"PIPOL TEAM\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Deborah Gutermann-Jacquet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/\"},\"author\":{\"name\":\"PIPOL TEAM\",\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/#\\\/schema\\\/person\\\/f8cb217f45103fcb436f14acee2b5b9b\"},\"headline\":\"Elusive Totality and Masked Unity\",\"datePublished\":\"2026-10-27T19:00:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/\"},\"wordCount\":839,\"image\":{\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.pipolcongres.eu\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/deborah-guterman-blog.jpeg\",\"articleSection\":[\"Touchstones\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/\",\"url\":\"https:\\\/\\\/www.pipolcongres.eu\\\/en\\\/2026\\\/10\\\/27\\\/totalite-fuyante-et-unite-masquee-2\\\/\",\"name\":\"Elusive Totality and Masked Unity - 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